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Thanks to the leadership and guidance given by Guruji and the overwhelming participation of devotees, the Thiruppugazh Recital became the most popular form of worship. Those who learned from Guruji started conducting classes elsewhere. Having seen his devotion, dedication and his knowledge and the Thiruppugazh movement he created, he came to be known as ‘Guruji’. Thiruppugazh Isai Vazhipadu was conducted at temples and residences.
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A method of conducting Thiruppugazh form of worship (Thiruppugazh Vazhipadu) was also prescribed. More and more devotees joined in his class. Soon, Sri Raghavan started conducting classes. Sri Raghavan established a standard formula of ragas and talas for each Thiruppugazh.
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As the grace of Muruga guided him through, Sri Raghavan and friends sat together, selected certain songs and gave each one a distinct tune (Carnatic based raga) and thala on the lines of Chandam. The more he studied, the more he got absorbed in it. Sri Raghavan took up Thiruppugazh study seriously. He recalled the lines from Kandar Anubhuti which said that the knowledge and talent blessed to him was meant to be given back to Muruga (Yam Othiya kalviyum…17). He felt that the musical talent gifted to him was to be used for hailing the glory of Muruga. “Why not we set Thiruppugazh to classical style of music and conduct Thiruppugazh recital in a systematic way?” The suggestion which came from his friend, Narayanan appealed Sri Ragahvan. That was the time when temple Othuvars, bhajan singers, musicians were rendering Thiruppugazh songs in their own way. Even while doing his duties, Sri Raghavan ruminated what was the role Senthil Andavar had assigned for him. He got the opportunity to learn music from Sri Vaidyanatha Bhagavathar, a great Pundit. Though he took up a position in office at Bombay, it was music that was pulsating in his heart.